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Cassandra Fraser
Designing Matter and Responsive Metallobiomaterials

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Pavel Hladik
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Donald E Ingber
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passus: A Choreographic System for Kinaesthetic Responsivity

Maja Kuzmanovic & Nik Gaffney
Structured Growth and Grown Structures

Jim Lutz
Breaking the Architectural Sound Barrier: How New Audio Technologies are Reshaping Space

Kate Richards
‘Bystander’ – a responsive, immersive ‘spirit world’ environment for multiple users

Val Rynnimeri
Natura Naturata: The Civic Stewardship of Urban Nature

Sema Sgaier
Responsive Cells to Responsive Individuals: The Concept of Fate Through the Lens of Genetics

Mark Shepard
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Diana Slattery
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Charles Stankievech
‘Get out of the room…’ …Get into the head: Headphones and Acoustic Phenomenology

Tristan d’Estrée Sterk
Shape Control In Responsive Architectural Structures

John Storrs Hall
Utility Fog: The Stuff that Dreams Are Made Of

Melody Swartz
Cell Migration and Pattern Formation Guided by Dynamic Microenvironments

Jordi Truco Calbet
The HybGrid

Gisèle Trudel
Abstract Realism

Steven Vogel
So What Would Nature Do?

 

Symposium

‘Bystander’ – a responsive, immersive ‘spirit world’ environment for multiple users
Kate Richards, with input from Ross Gibson and Lian Loke
Sparke Media
http://www.lifeafterwartime.com/

Summary
Bystander is a multi-channel interactive video installation by artists Kate Richards and Ross Gibson. Funded by the Australian Research Council, it is an immersive feedback environment for exhibiting and dramatically interacting with semiotic, emotional and aesthetic patterns in archived environments. In this presentation artist Kate Richards describes the background to the project and its context in the Life After Wartime (LAW) suite. Richards will explain the creative development and production processes, with specific focus on the protocols and pragmatics of interdisciplinary engagement and how these evolved synergistically across the art science collaboration. She will explain the application of a metadesign approach to the creative development and production of Bystander, covering the metadesign tools and techniques used, including a software property manager; personas and scenarios, Laban movement theory and user interaction scripts to explore audience affect and useability; iterative single and multi-channel (distributed rendering) prototypes, and agile programming. Richards will talk about the creative and design development of the generative Bystander ‘world’ behaviours, rules and states, and the overall interactivity design. The presentation will be illustrated with excerpts from Bystander and project documentation.

Biography

Kate Richards is a Sydney-based media artist and producer working across multimedia, interactivity, visualisation software and time-based media. Recent multimedia art projects include the Life After Wartime suite with Ross Gibson (CDROMS, live performance, installation and exhibition); sub_scape with Sarah Waterson and Crying Man 4 with Lyndal Jones. She has worked with multimedia in a live performance context with Red Iris live (with Stevie Wishart and Life After Wartime live with The Necks. Kate also works as a multimedia designer and producer in the cultural sectors, creating and overseeing projects for other artists, museums, cultural centres and architectural firms.

 

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