Presenters:
Elio Caccavale
Dawn Danby
Olaf Dreyer
Juan Geuer
Rob Godman
John Hatch
Kenneth A. Huff
Mantissa
Miroslav Lovric
Sally McKay
Eric Raymond
S. David Rosner
Mariano Sardón
Frederic P. Schuller
Krister Shalm
Lydia Sharman & Stephen Morris
Donald Spector
Joseph Thywissen
Marion Tränkle
Koala Yip
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Symposium
Science and Art a Hate / Love Affair
by Juan Geuer
http://www3.sympatico.ca/fred.mrg/
In WiS (Water in Suspense) 1999, a single ray of light from an orange laser shines into a slowly swelling drop of water. The light patterns on the wall behind behave like an ever-changing living organism. The complexity of surface tension in the water droplet and the ability of the water molecules to create inner structures, nobody yet understands, but something unknown reverberates with our own inner organism and that is what we call, I believe, our aesthetic sensibility.
Post modern man's science has transformed our world, but not towards certainty. Rather, we are facing a landscape of new challenges. We may as well enjoy that 'sinful' reality we live in, because we depend on it. There is delightfully much to be refashioned.
When in Bolivia, in the jungle I learned from my native friends to continuously renew oneself; to overcome the dichotomy between order and 'chaos'. I came to equate the product of Immanuel Kant's brain with the wisdom of ants as they had integrated the "Kritik der reinen Venunft" in their nest. In my opinion, the visual arts strive to connect the innermost self to the innermost 'out-there' as it is presented to us in ever varying new challenges. My experience with science confirmed my conviction that our investigative probing has a place in the rhythms of nature.
Biography:
Juan Geuer is a well known Canadian artist who was born in the
Netherlands in 1917 into an environment of artists and philosophers.
Before he came to Canada in 1955 he lived in Bolivia for 14 years where
he developed as inventor, artist and social activist. In 1956 he began
to work with geophysists, where besides working as draftsmen, he became
seriously involved in scientific research. In the meanwhile his art
integrated with the world he lived in. And he began to find ways to
connect with the natural world beyond the boundaries imposed by science
and art. His work is internationally represented in important
institutions.
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