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Speakers

Todd Barton -
Richard Brown -
Erik Davis -
Alan Dunning -
Ivar Hagendoorn -
Heath Hanlin -
Don Hill -
Amy Ione -
Stephen Morris -
Josef Penninger -
Susie Ramsay -
Mark Rudolph -
Diana Slattery -
Aephraim Steinberg -
Brett Terry -
Lisa Walker -
Andrea Wollensak -

Symposium

Amy Ione
Do Subtle Technologies Enable Us To Effectively Add Art to the Cognitive Science Equation?
Presented Sunday May 12th at 1 pm

Cognitive Science, an interdisciplinary field that has arisen during the past decade, has integrated the work of several existing disciplines (e.g., psychology, linguistics, computer science, philosophy, and physiology). Now cognitive scientists are beginning to consider how to combine the explosion of empirical data with art. This exercise has raised a number of complex questions. Many of these questions are discussed in this paper, which looks closely at what emerging neurobiological studies can (and cannot) reveal about the exquisite qualities of art, and about those who produce art.

In exploring the relationship between cognitive science and art, this paper will focus specifically on what the advent of Cognitive Science as an interdisciplinary field offers to art and how artists have transformed cognitive studies into artistic statements. A broad range of visual examples will allow people of diverse backgrounds to conceptualize the ideas under discussion.

Particular attention will be given to:
(1) the range of research and the innovative representations that are being used by contemporary artists and scientists to comment on art and the brain; (2) the novel ways artists and scientists now use optical and non-optical tools in their studios/laboratories, (3) individual and collaborative projects that have revised, altered, integrated, and commented upon physical phenomena, our views of our brains/bodies, and what might be termed the mysterious or unknown, and (4) future potentials that might emerge as technological developments continue to add experimental possibilities to the art/science equation. Within this collaborative context particular attention will be given to the ways in which technological innovation is often a very subtle component of how artists and scientists communicate their ideas -- and how this is increasingly done dynamically, visually, globally, and instantaneously.

Amy Ione - Biography
Best known as an international lecturer, a painter, and a writer, Amy Ione has long explored discovery, creativity, innovation, and historical challenges in art and science. Currently she is Director of The Diatrope Institute, a Berkeley-based organization that disseminates information relating art, science and visual studies.

www.diatrope.com