| Subtle
Technologies Conference Speaker Schedule
May 18th-20th, 2001 To
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May 18th SPEAKER
PRESENTATIONS: 8PM - 10PM Innis
Town Hall, University of Toronto Campus 2
Sussex Ave. (@St. George & Harbord St.) 8pm
- 9pm Sonomorphs:
An Application of Genetic Algorithms To the Growth and Development of Musical
Organisms. by
Gary Lee Nelson In his
presentation Sonomorphs: An Application of Genetic Algorithms To the Growth and
Development of Musical Organisms, composer and performer Gary Lee Nelson will
outline the fundamental techniques for genetic algorithms and discuss their application
to musical composition. Mr. Nelson will demonstrate his musical methods using
an interactive computer program along with graphic and sonic illustrations.
Gary Lee Nelson is
chair of Technology in Music and Related Arts at Oberlin College. He has appeared
as composer, performer and teacher throughout North America, Europe, Asia and
Australia. He has received grants from the Shansi Foundation, the Sloane Foundation,
Ohio Arts Council and the National Science Foundation for his research in algorithmic
composition. He is a pioneer in the use of mathematical models for creating musical
structure. His recent work has centered on techniques for interactive composition
and improvisation with computers, sound synthesizers and video.
9pm - 10pm
TGarden
Responsive Playspace by
Maja Kuzmanovic
T-Garden Responsive Playspace is an
interdisciplinary project aimed at dissolving the traditional lines between performer
and spectator by creating a media architecture that allows visitors to shape their
environment through their movements and their social encounters with other participants.
T-Garden is a global collaborative effort between several arts and technology
centers and the arts organizations FoAM in Brussels, and Sponge from San Francisco.
Selected by MIT
as one of the Top 100 'Young Innovators', Maja Kuzmanovic holds a Master of Arts
in Interactive Multimedia. In addition to having held numerous teaching and artist
and residence positions, Maja Kuzmanovic is currently director of the newly formed
Foundation of Affordable Mysticism (FOAM, at Starlab in Brussels), where she is
working with various art and technology collectives, exploring novel modes and
resources of cultural expression. Throughout, Maja Kuzmanovic's specialization
remains interactive film and storytelling. Particle
Systems for Artistic Expression by
Dr. David Tonnesen In
Particle Systems for Artistic Expression, Dr. David Tonnesen will discuss two
particular areas of particle systems research. One: a technique for sculpting
surfaces, and two: a work in progress for an interactive art installation. A common
goal of both projects is to provide flexible tools to aid in personal expression.
The focus is to move away from the analytical and point and click style of interface,
and towards a more humanistic interface, which re-embodies the user in the physical
world. Dr. David Tonnesen's research interests are in
computer graphics, shape modeling, virtual environments, human-computer interaction,
and the confluence of art and technology. He received his Ph.D. in computer science
from the University of Toronto. Recently he has been working with GMD, Germany
and INRIA Rocquencourt, France researching the interactive sculpting of three-dimensional
shapes in a virtual environment. In the past he has developed new computer models,
based on the merging of physics and geometry, to create special effects for a
number of feature length animated films. David Tonnesen is currently participating
in Starlab's new spin-off, the Foundation of Affordable Mysticism (FOAM) to help
create interactive art installations. Saturday
May 19th SPEAKER
PRESENTATIONS: 9AM - 5PM Innis
Town Hall 9am
-10am Unconcealment
of the Ground Palette An Alternative Paleontological Investigation of a Subtle
Technique by
George Magalios In
Unconcealment of the Ground Palette an Alternative Paleontological Investigation
of a Subtle Technique, George Magalios investigates early visual techniques of
symbolic identification. Creating links between cave markings, contemporary design
and graphic software, Mr. Magalios suggests there is a palette that exists as
the grammar of all painterly and design languages. George
Anastasios Magalios calls himself a site-specific philosopher. He makes images,
objects, and performs in order to explore a number of questions concerning our
relationship to our organic, social, and technological world. Each question is
specifically uttered according to the confines and constraints of a particular
site. In his attempts at site-specific philosophy, Magalios employs a number of
materials for his installations and actions. Magalios's work attempts to problematize
our relationship to new media, hyper-immediate gratification culture, and our
collective roots as creative beings. 10am
- 11am New
Environments for Dance: Ecologies of Networks, by
Johannes Birringer
In New Environments for Dance: Ecologies of Networks, author and professor Johannes
Birringer will address some key concerns for contemporary dance and performance
practitioners working with new media and telecommunications technologies. Drawing
on his experience as director of the Dance & Technology Program at The Ohio State
University, Professor Birringer will look at a globalized dance and music culture
that can no longer be distilled into separate and "local" traditions; an emergent
culture that follows different trajectories of transmission and exchange.
Prolific independent choreographer/videomaker, Johannes Birringer
is artistic director of AlienNation Co., an international multimedia ensemble
based in Texas, as well as the director of the Dance & Technology Program at The
Ohio State University. With an M.A. and Ph.D. from Trier University (Germany),
Johannes Birringer has taught performance studies at many universities and has
published widely on media and performing arts including his recent books "Media
and Performance- along the border" (1998) and "Performance on the Edge: Transformations
of Culture" (2000). His artistic work promotes the organic integration of live
performance and digital, interactive architectures requiring new processes of
composition and motion study. As a choreographer and video producer, he has directed
numerous dance-theatre, opera productions, as well as creating multimedia installations
and public arts works around the world.
11am
- Noon Polygons,
Neural Nets, Quantum States, and Rainbows Dr.
Evan Harris Walker Physicist and author Dr. Evan Harris Walker presents
Polygons, Neural Nets, Quantum States, and Rainbows. After looking at various
theories of consciousness and their applications, Dr. Walker will venture into
the vast unknown to consider what may lie behind the peculiarities of consciousness
phenomenology. A case in point will be a discussion of the reasons for the structure
of our overall visual experience.
Dr. Walker, a physicist, is the Director and CEO of the Walker
Cancer Research Institute, inc. He is the originator of the QM theory of consciousness,
Observer theory of Psi Phenomena, the author of the Perseus Books publication:
The Physics of Consciousness, and an all-round nice guy. Dr. Walker is also something
of an artist, having exhibited some of the first computer art. He lives in Maryland
and can be reached at wcri@erols.com.
LUNCH
BREAK Noon - 1PM 1pm
- 2pm Thinking
of You by Nina
Sobell and Stacy Pershall Together
with artist and collaborator Stacy Pershall, pioneer video artist Nina Sobell
presents Thinking of You, an immersive environment where the intricacies of personal
communication are explored by combining EEG signals of two participants in separate
physical locations which are then expressed live on the web as one 'brain wave
drawingÕ. Nina Sobell Since 1969, when she first
used video to document participants' undirected interactions with her sculptures,
Nina Sobell has been interested in the extent to which video enables her to manipulate
the relation between time and space, and to create a vortex for human experience,
in which the mediated event coincides with public experience, memory, and relationships.
Nina Sobell holds a masters degree from Cornell University and has exhibited extensively
around the world. She is widely recognized as a pioneer video artist, being one
of the first to integrate video as art. Stacey Pershall Since winning
a science fair as a teenager, Stacey Pershall has been on a quest to become a
true and mad scientist. With a B.A. in theatre from the University of Arkansas,
and graduating in 1997 from the University of Cincinnati's College of Design,
Art, and Architecture, Stacey Pershall has been applying her interest in neurology,
robotics and performance to her art for over a decade. In February 2000, she launched
www.atomcam.com, which has now been uploading at least four images every thirty
seconds for over a year. She is currently working with Nina Sobell and sound artist
Jody Elff, as the current incarnation of parkbench.org.
2pm - 3pm
A Scientific
Approach to Consciousness and the Infinite: Matter is Made of Experiences and
is Endless by
Dr. Bill Marks From the National
Institute of Health in the United States, neuroscientist Bill Marks offers A Scientific
Approach to Consciousness and the Infinite: Matter is Made of Experiences and
is Endless. In his presentation, Dr. Marks outlines his preoccupation with how
universal subjectivity has lead to the evolution of matter and life. Dr. Marks
draws a picture where matter is composed of interacting experiences that in turn
produce new experiences-an idea that resembles the underpinnings of physics. Dr.
Marks applies a scientific approach to exploring how love and beauty, for example,
affect our lives more deeply than information. While studying
for his BS in Physics (MIT 1956), Bill Marks became interested in the possible
ways humans grow in responsibility and sensitivity. Retaining an approach of a
physicist, his preoccupation remains to see how universal subjectivity operating
behind the scenes has lead to the evolution of matter and life, and to processes
in the brain that personalize this subjectivity. Bill Marks received his PhD at
John Hopkins in 1963 and is currently a quantitative neuroanatomist at NIH.
3pm - 4pm
The
Imagination of Matter by
Kathleen Rogers For
the past decade, researcher and artist Kathleen Rogers has developed a textual
framework and multi-media artworks that reflect her interest in interdisciplinary
discourses and cross-cultural consciousness research. For Subtle Technologies,
she presents The Imagination of Matter, an integretive model of human consciousness
based on cross-disciplinary comparisons of the symbolism of maize in genetic science,
ancient Mayan art and mythology, and contemporary Mayan maize cultivation rituals.
Research Fellow in Image Manipulation and Digital Culture
at the Surrey Institute of Art and Design. Previously Course Director of the post
graduate school of Television and Imaging at Dundee University. For the past decade,
Kathleen Rogers has developed a textual framework and multi-media artworks that
reflect her interest in interdisciplinary discourses and cross-cultural consciousness
research. She has presented work at many international festivals of video and
electronic art. Most recently at The Lab as part of the Gateway Project in San
Francisco and as part of the international art and science exhibition, Noise at
Kettles Yard in London and Cambridge. 4pm
- 5pm Dissociated
Membranes by
Philip Beesley Dissociated
Membranes by architect and Professor Philip Beesley, explores a particular kind
of architectural textiles that he has been making for several years. The fabrics
described in Dissociate Membranes have immersive and reflexive qualities. Reflex
is a response that suggests the textile being touched touches back. Immersion
goes beyond the familiar sense of being clothed and surrounded by a fabric. Here
the term implies animated space expanding and dissolving boundaries. In these
fabrics, boundaries of our selvesÑbody and psycheÑare questioned. Architect
Philip Beesley's research involves digital generation and visualization of structures,
physical fabrication of installations in landscape and museum venues, translation
of experimental works into architectural tectonic systems, and critical analysis
and documentation in a spectrum of public venues. He is co-director of the Waterloo
Integrated Centre for Visualization, Design and Manufacturing, a new facility
involving rapid prototyping, high performance computing and visualization at the
University of Waterloo. Beesley recently received the Prix de Rome in Architecture
(Canada).
Sunday
May 20th SPEAKER
PRESENTATIONS: 9AM - 5PM Innis
Town Hall 9am
- 10am Space-Time
Matrix by Jane
Krakower From the University
of Florida, Jane Krakower presents Space-Time Matrix, a lecture discussing the
possible properties of space and its function, while incorporating the properties
of time. Jane Krakower has a BA in Art from NYU, now
the New School Of Research. She attended the University Of Tampa in 1973 for six
years, where she majored in Physiology as well as the University Of South Florida
for three years, where she researched the paper's "Light Source" and "Space-Time
Matrix". She has given lectures on both, "Light Source" and "Space-Time Matrix"
at numerous seminars and conferences around the world.
10am
-11am Topology
and Applications by
Dr. Som Naimpally Topology
and Applications details how abstract pure mathematics has applications in daily
life. In his presentation, Dr. Som Naimpally illustrates the concepts of Topology,
a formula of mathematics that deals with the concept of nearness at various levels.
Overlaying examples of day-to-day existence with an orderly formula provides a
rare opportunity to illuminate the interesting, challenging and beautiful patterns
in life. Som Naimpally received a B.Sc., M.Sc., and Ph.D.
from the University of Bombay. For over 40 years, he has taught at universities
around the world. He has spoken on the topic of Topology at numerous conferences
in Italy, Mexico, Belgium and Hong Kong to name a few. Som Naimpally has also
published a variety of books and over 100 articles. 11am
- Noon Inclusionality:
An Immersive Philosophy of Environmental Relationships
by Ted Lumley and Jaques Rainville
Inclusionality: An Immersive Philosophy
of Environmental Relationships explores the 'geometry of space' and its management
within social systems. Drawing parallels between a variety of examples such as
the sun-and-planets, hexagonal cell producing honeybees, and drivers on a crowded
freeway, geo-physicist Ted Lumley and artist Jacques Rainville look at issues
of collaborative partnership, indigenous tradition, and assertive co-dynamics.
Ted Lumley After studying physics at the University
of British Columbia and working for thirty-two years as a geophysicist in international
petroleum exploration, it became evident to Ted Lumley that in natural systems,
the geometry of opportunity is the staging ground for all assertive behaviour.
In 1996, he began to pursue independent research, working informally with similarly
motivated individuals via Internet sharing circles. For the past six years, it
has been his goal to investigate and promote systems capable of sustaining community
harmony more effectively than the management strategies of mainstream science.
Jacques Rainville Jacques Rainville graduated from the ƒcole des
Beaux Arts de MontrŽal in 1956 and has since worked as a Graphic Artist, Set Designer,
Violin Bow Maker, Painter, and Actor. In 1964, he was awarded a Special Mention
at the Festival National D'Art Dramatique for his Set Design. He currently lives
in Longueuil, Quebec. LUNCH
BREAK Noon -1PM 1pm
- 2pm The
Space Between Music and Science by
Sageev Oore In his presentation,
Sageev OoreÕs applies his experience as both an accomplished musician and mathematician
to explore The Space between Music and Science. Discussing fundamental mathematical
concepts which he finds to be beautiful or exciting, as well as giving a musical
performance, Sageev Oore will seek to find answers to the question of whether
art and science really do share a boundary, or whether they are fields to far
apart to ever converge. Sageev Oore has a classical music
and science background that includes an undergraduate degree in Math (Dalhousie
U.), and performing piano concerti (Mozart, Chopin, and Rachmaninoff) with orchestras
including Symphony Nova Scotia (under the baton of the late Georg Tintner). Completing
an M.Sc. in Neural Networks, he has spent time exploring a wide range of interdisciplinary
performing. In recent years, he has focused energy on improvised music. Currently,
Sageev Oore is a PhD student at the University of Toronto, under the supervision
of Geoffrey Hinton and Demetri Terzopoulos, designing an interface for computer
puppetry to create animation in real-time. . 2pm
- 3pm Posthuman
Temptation, Eros and Mutagenesis by
Adam Zaretsky In Posthuman
Temptation, Eros and Mutagenesis, artist Adam Zaretsky talks about his experiences
at MIT, where as part of his latest project, he found himself immersed in the
Ôculture of Post Doctoral scientific researchÕ. As a result of observations in
the lab, Mr. Zaretsky poses an interesting question: In the world of biotechnology,
which is often morally and ethically paradoxical, what can be defined simply as
ÔBad TasteÕ? Adam Zaretsky has been a Research Affiliate
in the Laboratory for Industrial Microbiology and Fermentation, Department of
Biology, Massachusetts Institute of Technology for the past two years. With an
M.F.A. in Art and Technology from The School of the Art Institute of Chicago,
Adam is a MASTER of art. He also does independent sexwork for fun and profit.
Adam Zaretsky has studied parasitology in conjunction with glossolalia at the
University of Pataphysics in Salzburg, Austria. Other intrepid rants include "Latex
Fetishware and the Binomial: Math Parasites in the World of Rubber Fashion," as
well as the soon to be released ode to Galen "Orifice Theory, A Compendium". In
2000, Zaretsky met with Saddam Hussein at a cultural summit in Geneva, Switzerland,
whereupon Saddam stated: "No-Fly-Zones *are* parasitolog". 3pm
- 4pm Biological
Growth and the Automatic Design of Robots by
Joshua Bongard
In his presentation, Biological Growth
and the Automatic Design of Robots, Joshua Bongard will demonstrate samples of
his work from the Artificial Intelligence Lab at the University of Zurich. Combining
ideas from developmental biology with software often used for gaming, Joshua has
built computer tools that allow engineers to automatically design-simulated robots.
By incorporating an abstraction of natural selection into his software, Professor
Bongard has enabled his computer to automatically "grow" virtual robots, or agents,
that can accomplish various tasks. A native of Toronto,
Josh Bongard received an honours undergraduate degree in Computer Science from
McMaster University followed by a Masters degree in Evolutionary and Adaptive
Systems from the University of Sussex in the United Kingdom. He is currently working
on a PhD in the Artificial Intelligence Lab at the University of Zurich, Switzerland.
In addition to organizing and running a robotics summer school for high school
students in Zurich, Josh has demonstrated his artificial ontogeny software in
Europe, the United States and Japan. The
Evolution of Morphogenetic Art Forms by
Dale Thomas In The Evolution
of Morphogenetic Art Forms, Dale Thomas will look at artificial life and its potential
application as an artistÕs tool and medium. Using the power of natural processes,
evolution and growth, interesting forms are produced. The evolution of these forms
is directed by a user who can breed and mutate them using aesthetic selection.
This method blurs the distinction between artist and critic. It is art by criticism.
Dale Thomas initially trained as an artist and counselor
before receiving a degree with honours in Cybernetics and Control Engineering
from Reading University. During his years in Reading, he also devoted a lot of
time to traveling around England, increasing awareness of science and technology
in schools. In 1999, he spent several months working for a UK based, Artificial
Life Software company, 'Cyberlife'. He is currently working on his PhD in Switzerland,
at the University of Zurich where his work interests involve artificial intelligence,
computer graphics, morphogenesis, evolution and interactive art.
4pm
- 5pm Panel
Discussion panelists
to be announced |